We all know that the second season of Twin Peaks sucks, right? Not so, and that’s not because the final twenty-two episodes of David Lynch and Mark Frost’s seminal early-90s TV series are without fault, but because we’ve been thinking about—and watching—Twin Peaks the wrong way for all these years.
Twin Peaks doesn’t have two seasons. It has four. Let me explain:
It’s time to talk about Black Mirror. Charlie Booker’s remarkable and disturbing—remarkably disturbing?—new show just dropped its third season on Netflix, and as with its first two outings, the reaction from across the critical spectrum is about the same: this show is messed up, but it’s one of the greatest shows of all time.
But there are some dissenting voices among the awestruck masses. Some critics—good ones, I might add—are growing tired of the show’s persistently downbeat tone and endings.
In the final segment of this three-part series, I try to diagnose season five's problems, all while suggesting some possible remedies and proposing ideas for future seasons.
Last time I asked: Where are the kids in season five? I know, I know — we see all of ‘em, if only briefly. We drop in on Randy in his brutal new foster home, where he’s been forced to harden his heart to combat accusations that he’s a snitch. We follow Michael and Dukie through most of season five, and even Namond makes a brief appearance in superheroic mode, kicking ass in a debate competition. Unfortunately, it’s not enough, and it’s not what season five needed, I submit.
Thor: Ragnarok director Taika Waititi has said on multiple occasions that his upcoming entry to the Marvel cinematic universe was inspired by one of my all-time favorite movies, Big Trouble in Little China.
As a fan of comic books and comic-book movies, I'm moved to take a long, hard look at one of the fundamental eccentricities of our chosen genre and ask ourselves: Why the hell would anyone dress up like that?
Bryan Singer’s sprightly Days of Future Past jettisons most of the youngsters from the 2011 reboot in favor of the series’ new leading men, James McAvoy and Michael Fassbender. It’s the right call, but the filmmakers commit one small blunder: They make Wolverine the hero. SPOILERS AHEAD!
CC2K's Tony Lazlo brings you another unwieldy recap of a major movie series. This time, it's Harry Potter -- with a look back at the books, too! SPOILERS! HUGE, MAJOR SPOILERS AHEAD! BEWARE! My friends and geek confidantes are all familiar with the trajectory of my relationship with the Harry Potter books: It tracks a deteriorating orbit from the stratosphere…
Two of my main pop-cultural experiences for the summer brought me face-to-face with the reality that I'm far more willing to spoil myself for a movie than I am for a TV show -- and I'm not sure why. Needless to say, SPOILERS AHEAD!
Bob here. I met Andi Cumbo-Floyd through Twitter, where she holds weekly discussion with other writers. She's one of the kindest, most thoughtful people I've interacted with, and her writing reflects that. Besides her ongoing pursuit of creative nonfiction, Andi is also a teacher and editor. She recently launched a new online community for writers, and she maintains an artistic…
In this classic book review, Tony Lazlo sounds an extended dirge for the disappointing final chapter in the Harry Potter book series. SPOILERS AHEAD! The empress is naked.After 10 wonderful years of books whose release dates arrived with the anticipation of fresh boxes of Wonka bars, we're left with the disheartening reality that J.K. Rowling couldn't write a Harry Potter…
One of the myriad pleasures of the classic TV series Twin Peaks is sensing the artistic tug-of-war between showrunners David Lynch and Mark Frost. By now it’s received wisdom that Frost—an alum of more traditional story-driven shows like Hill Street Blues—was a necessary correction for Lynch, the dreamy abstractionist.
John Berendt’s Midnight in the Garden of Good and Evil is a southern-gothic masterpiece that borders ever so slightly on gonzo journalism—though it falls short of passing into that bizarro realm. Reading it spurred me to contemplate the border between the two major realms of nonfiction writing; the DMZ between the ordered lands of subject-first traditional journalism and the wild…