In part two of a three-part series, I look back at The Wire's strongest seasons.
Let’s talk about The Wire's magnificent third and fourth seasons, which feature the most satisfying examples of thematic layering, echoing and character graduation. Season three introduces a theme so potentially boring it would have sounded death-knell for any other show: management.
Here's my review for the original Expendables, which I sort of liked.
SPOILERS AHEAD!SPOILERS AHEAD!SPOILERS AHEAD!
I don't want to think of Sylvester Stallone as a simpleton, but he keeps forcing me to with movies like The Expendables.
Here's the thing: I like Stallone. He strikes me as an earnest movie-maker with decent storytelling instincts. I thought Rocky Balboa was great, and I could really sense his desire to get back to the roots of the character that made him famous.
But even in Rocky Balboa, I got a sense of Stallone the simpleton. The movie's plot hinges on a video game that pits the aging Rocky against the current heavyweight champion -- and you know what? I bet that's where Stallone got the idea. A video game. By comparison, in the leadup to the release of Rambo (the fourth in the series that began with First Blood), Stallone (if memory serves) revealed that he got the idea for the fourth Rambo from a magazine article, as well as from the Saw movies, although the horror franchise only guided Stallone's hand in pumping up the volume of the violence he depicted. (The splatter-gore aesthetic, while less intense in The Expendables, is still with Stallone.)
In the first of a three-part series, I look back at The Wire and try to figure out why season five is the weakest entry of this brilliant series.
I first watched The Wire, David Simon’s seminal portrait of the city of Baltimore in five acts, a few years ago. I recently plowed through the series again, this time with the foreknowledge that its final season was generally regarded as its weakest. When I first watched the show, I remembered admiring the newsroom scenes, and especially the performance of Clark Johnson as the Sun’s city editor. So did my rewatch confirm or disconfirm the inferiority of season five?
In this article, originally written in conjunction with ScriptPhD.com, I pick my favorite eureka-bellowers of all time.
An astute cartoonist once observed that most so-called mad scientists are actually just mad engineers.
You can see the original comic here, but the gist is this: A mad scientist proclaims that he’s invented a death ray. A nameless troublemaker asks him if he’s testing any mad hypotheses with mad experiments and mad control groups. Good stuff. That comic served as the inspiration for this list, in which I assemble the best mad scientists from pop-culture who actually act like scientists. They conduct experiments. They record data. And they’re fucking bonkers.
Despite all its inherent challenges, it appears that a big-screen version of Stephen King's The Stand is still on its way. The latest news is that director Josh Boone (The Fault in Our Stars) will direct one gigantic three-hour movie. Here's a look back at a piece of mine that originally appeared both on Geekscape and CC2K.
Before I offer my (totally preliminary) dream casting choices, let me also share my hopes for what the new film will be: I hope it’ll be The Lord of the Rings. Meaning, I hope that King’s sprawling struggle between good and evil will get the LOTR treatment in the form of three or four epic movies. It’s great material, and I think it’s worthy of that kind of production.
That said, let’s talk about the cast. I’m going to offer my first-string choices, as well as some backups if I think of any. And I am very open to suggestion and correction with any of these.
Everyone thinks that Harrison Ford is the only man who can play Indiana Jones. I respectfully disagree.
In response to some talk that Harrison Ford wants Indy killed off in the next installment, I thought I'd repeat my argument: Either pass on the torch to Shia LeBeouf and have him play the new Indiana Jones, or cast someone else in the role, James Bond-style. My pick? Nathan Fillion.
Thor: Ragnarok director Taika Waititi has said on multiple occasions that his upcoming entry to the Marvel cinematic universe was inspired by one of my all-time favorite movies, Big Trouble in Little China.
Godzilla director Gareth Edwards made the wise choice to go old-school with his 2014 reboot, tapping into the venerable franchise’s most potent power source: our shared dread of disaster, both natural and man-made. SPOILERS AHEAD!
An essay ostensibly arguing that Temple of Doom is the best Indiana Jones movie, but which veers into a larger analysis of the trilogy and the Indiana Jones character Let's talk theme. Ideally, a great movie should be about something great, and Indiana Jones and the Temple of Doom -- like Aliens -- is a sequel that tops the original,…
My Internetting revealed to me this morning that Nikolaj Coster-Waldau, aka Jaime Lannister, played one of the Deltas in Black Hawk Down. If you want to hear the multilingual actor doing a country-redneck accent, check out the video below.
As a fan of comic books and comic-book movies, I'm moved to take a long, hard look at one of the fundamental eccentricities of our chosen genre and ask ourselves: Why the hell would anyone dress up like that?
One of the myriad pleasures of the classic TV series Twin Peaks is sensing the artistic tug-of-war between showrunners David Lynch and Mark Frost. By now it’s received wisdom that Frost—an alum of more traditional story-driven shows like Hill Street Blues—was a necessary correction for Lynch, the dreamy abstractionist.
In competing narrative voices (mostly first with a dash of third), author Mayer ably explores the turbulent headspace of Quinn, a teenager with a condition known as congenital analgesia—he can't feel pain.
Bob here. I met Andi Cumbo-Floyd through Twitter, where she holds weekly discussion with other writers. She's one of the kindest, most thoughtful people I've interacted with, and her writing reflects that. Besides her ongoing pursuit of creative nonfiction, Andi is also a teacher and editor. She recently launched a new online community for writers, and she maintains an artistic…
Source: New York Times I guess it was bound to happen: Wonder Woman got a makeover. The New York Times reports that in issue 600 of the long-running series, Diana Prince will receive a sleeker costume that takes her out of the traditional bathing suit she’s worn for years. In its place, the Amazon warrior will get slacks, boots and…