I guess it was bound to happen: Wonder Woman got a makeover.
The New York Times reports that in issue 600 of the long-running series, Diana Prince will receive a sleeker costume that takes her out of the traditional bathing suit she’s worn for years. In its place, the Amazon warrior will get slacks, boots and a leather jacket with the sleeves rolled up.
In this unruly and completely unnecessary article, CC2K's Tony Lazlo wonders who would have played the members of the Justice League had they appeared on the classic 1960s Batman TV series.
The universe depicted in the old Adam West Batman series could have sustained the entire DCU, but who would have played the other heroes?
As comic-book fans, it's rare for us to see more than one hero onscreen at the same time. To be sure, there are exceptions, but for the most part, Hollywood presents our heroes to us in hermetically sealed packages -- one per movie or TV series. Exceptions to this rule include the upcoming movie The Avengers as well as the long-running CW series Smallville, and it was while I was thinking of Smallville that I got the idea for this article: What other actors would we cast as DCU heroes in the universe depicted in the classic Adam West Batman series?
In this classic book review, Tony Lazlo sounds an extended dirge for the disappointing final chapter in the Harry Potter book series.
The empress is naked.
After 10 wonderful years of books whose release dates arrived with the anticipation of fresh boxes of Wonka bars, we're left with the disheartening reality that J.K. Rowling couldn't write a Harry Potter novel set beyond the walls, curriculum and classes of Hogwarts School of Witchcraft and Wizardry.
Harry Potter and the Deathly Hallows is a stunning disappointment with a great ending -- and let me stress: The novel itself has a great ending. The seven-book series doesn't.
CC2K's Tony Lazlo imagines how George Lucas' Star Wars prequel trilogy could have rocked.
When I left the theater after seeing Attack of the Clones, I was already pissed off and devastated. I felt this way because the movie sucked, and even if the then-untitled third episode was a perfect, sloppy, wet blowjob of a success, two-thirds of the new Star Wars trilogy would still suck.
An essay ostensibly arguing that Temple of Doom is the best Indiana Jones movie, but which veers into a larger analysis of the trilogy and the Indiana Jones character
Let's talk theme. Ideally, a great movie should be about something great, and Indiana Jones and the Temple of Doom -- like Aliens -- is a sequel that tops the original, and it tops Raiders of the Lost Ark not because it's a bigger, grander movie, but because it goes to a dark, scary and different place to explore a worthy theme: parenthood.
CC2K's Tony Lazlo offers us one of his insanely long and detailed examinations of a major movie series. This time it's Batman.
A look back through the six modern-era Batman movies yields some unexpected results, including the revelations that Batman Forever isn't as bad as I remember, that The Dark Knight isn't as good as I remember, and that Batman & Robin is good for one thing: reminding me how much I like the 1960s TV series.
And finally, that Batman Returns just might be the best damn one of them all.
Those statements may shock you, but I encourage you to keep reading.
A self-loathing Meat Loaf fan discusses his cultural memory of the Loaf's mid-90s resurgence, the RPG Shadowrun and the Jackson 5's plan to brainwash the planet.
I’m not much of a music fan.
That much should be obvious by the mere presence of any Meat Loaf songs on my personal radar, guilty pleasures or otherwise. I make no apologies for my secret affinity for Mr. Loaf and his overwrought, bombastic mini-operas, but in my defense, I’ll offer this: I love movies, and Meat Loaf’s songs have some killer videos.
Bryan Singer’s sprightly Days of Future Past jettisons most of the youngsters from the 2011 reboot in favor of the series’ new leading men, James McAvoy and Michael Fassbender. It’s the right call, but the filmmakers commit one small blunder: They make Wolverine the hero. SPOILERS AHEAD!
An essay ostensibly arguing that Temple of Doom is the best Indiana Jones movie, but which veers into a larger analysis of the trilogy and the Indiana Jones character Let's talk theme. Ideally, a great movie should be about something great, and Indiana Jones and the Temple of Doom -- like Aliens -- is a sequel that tops the original,…
In this article, originally written in conjunction with ScriptPhD.com, I pick my favorite eureka-bellowers of all time. An astute cartoonist once observed that most so-called mad scientists are actually just mad engineers. You can see the original comic here, but the gist is this: A mad scientist proclaims that he’s invented a death ray. A nameless troublemaker asks him if…
One of the myriad pleasures of the classic TV series Twin Peaks is sensing the artistic tug-of-war between showrunners David Lynch and Mark Frost. By now it’s received wisdom that Frost—an alum of more traditional story-driven shows like Hill Street Blues—was a necessary correction for Lynch, the dreamy abstractionist.
In this classic book review, Tony Lazlo sounds an extended dirge for the disappointing final chapter in the Harry Potter book series. SPOILERS AHEAD! The empress is naked.After 10 wonderful years of books whose release dates arrived with the anticipation of fresh boxes of Wonka bars, we're left with the disheartening reality that J.K. Rowling couldn't write a Harry Potter…
John Berendt’s Midnight in the Garden of Good and Evil is a southern-gothic masterpiece that borders ever so slightly on gonzo journalism—though it falls short of passing into that bizarro realm. Reading it spurred me to contemplate the border between the two major realms of nonfiction writing; the DMZ between the ordered lands of subject-first traditional journalism and the wild…
Imagine Marvel’s Doctor Strange, with all of its trippy imagery, cool psychic battles, and supernatural-bordering-on-super-science worldbuilding. Now imagine that story written by a master novelist with protean-powerful command of first person, and you’d have David Mitchell’s Slade House. Needless to say, SPOILERS LIE AHEAD!