Category: Blog

Influences: Miller’s Crossing

 

I’m… I’m… I’m just a grifter, Tom. I’m… I’m… I’m… I’m… I’m an nobody! But I’ll tell you what, I never crossed a friend, Tom. I never killed anybody, I never crossed a friend, nor you, I’ll bet. We’re not like those animals! This is not us! Th… th… this is some hop dream! It’s a dream, Tommy! I’m praying to you! I can’t die! I can’t die… out here in the woods, like a dumb animal! In the woods, LIKE A DUMB ANIMAL! Like a dumb animal! I can’t… I can’t… I CAN’T DIE OUT HERE IN THE WOODS!… like a dumb animal. I can’t… die!”

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Influences: Neal Stephenson

After reading the first few hundred pages of Neal Stephenson’s Cryptonomicon, my friend Jordan Byrne asked me what I thought of it. Despite the novel’s incredible scope and dazzling prose, I only said these four words in response:

“It’s filled with joy.”

There are specific elements of Stephenson’s writing that I aspire to emulate in my own, but more than anything else, I try to write with the same joy that he does. Let me explain:

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Influences: John Irving

John Irving gives me the courage to be weird.

For an adult who writes novels, I spent my high school years largely baffled by literature. Don’t get me wrong – I got good grades in my English classes, but it wasn’t until I was well into my senior year of high school that I really got excited about literature and fiction writing. I also started what would become my first novel during that time. When it came to the analysis and appreciation of books, something finally clicked.

I credit John Irving for a lot of that.

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Influences: Ralph Bakshi

I’m an unusual guy who was an unusual kid. And I like it that way.

Those of you who have read any of my novels or novellas are well aware of my fascination with mutants, monsters, wizards and cyborgs, as well as other phantasmagoric and post-apocalyptic imagery.

My love of animation – specifically, dark, strange and kooky animation – has provided endless sources of inspiration for this arena of expression over the years. Here are some of my favorite weird cartoons from my childhood. (And yes – I expect that some of you may argue that I was too young to see any or all of these movies when I did. Maybe so, but if I hadn’t seen these at such an impressionable age, I wouldn’t have grown into the person I am today.)

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Review: The Iceman Cometh by Eugene O’Neill

In 1998, I had the pleasure to see one of American theater’s great dramas, Eugene O’Neill’s The Iceman Cometh, staged at one of the grand old theater houses of London’s West End, the Old Vic, where Kevin Spacey was then headlining in the role of doomed interventioner (and erstwhile salesman) Theodore “Hickey” Hickman. I’ve reread the play a couple times over the years, including this past week. This most recent reading uncovered some of the plays more deeply held pleasures—well, deeply held from me, that is—and I’d like to talk about ‘em. Maybe during this discussion, I’ll discover why I keep returning to O’Neill’s depressing world of drunks, addicts, layabouts, and ne’er-do-wells. 

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Review: Slade House by David Mitchell

Imagine Marvel’s Doctor Strange, with all of its trippy imagery, cool psychic battles, and supernatural-bordering-on-super-science worldbuilding. Now imagine that story written by a master novelist with protean-powerful command of first person, and you’d have David Mitchell’s Slade House.

Needless to say, SPOILERS LIE AHEAD!

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The Six Seasons of Twin Peaks

A comprehensive look at David Lynch and Mark Frost’s seminal TV series that breaks the show down into smaller, more easily digestible servings of garmonbozia.

We’ve been watching Twin Peaks the wrong way all these years. Let me explain:

Until the release of Showtime’s 18-episode revival, we’d been engaging with Lynch and Frost’s series as two wildly uneven seasons—the first a perfect nine hours of suspense, surrealism, and shocking reveals, followed by a front-loaded and sprawling second season where the wheels come off. After the release of The Return, we were forced to cram another sprawling season of television onto the end of the previous two. This time, instead of the maddeningly uneven second season, we were given 18 short films. It looked like a season of television, but it didn’t feel like one. Most important—and frustratingly—those 18 short films, as wondrous as they occasionally were, didn’t feel like a continuation of what came before.

But what if they were a perfect continuation of what came before, and what if we hadn’t been watching three seasons all these years — but six?

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Review: Quince from Fanbase Press

Fanbase Press has one of the great unheralded stories of the comic-book publishing world. Run by Los Angeles-based husband-and-wife team Bryant and Barbra Dillon, Fanbase Press has been putting out top-notch content for the past several years. The company’s first two titles, Identity Thief and Something Animal, were both painterly explorations of dark psychosis. Since those releases, they’ve steadfastly sought out new works by talented writers and illustrators, with impressive results.

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