Despite some excellent performances, Julie Taymor’s take on Shakespeare’s swan song doesn’t quite work.
SPOILERS AHEAD!!! SPOILERS AHEAD!!! SPOILERS AHEAD!!!
I love Julie Taymor. I don’t always love her movies.
Watching her lavish new adaptation of Shakespeare’s The Tempest brought me back to a lot of things — my adoration of the play, my impatience with the play, my early days writing for CC2K. I also found myself reflecting on the strengths and weaknesses of film versus theater and how they challenge filmmakers who try to usher Shakespeare’s plays onto the screen.
I also found myself contemplating the role of special effects in moviemaking and how computer-generated effects still have the capacity to fail so utterly. I hate to shine so harsh a light on the special effects in a Shakespeare movie, but The Tempest is packed with some jaw-droppingly bad ones. They got in the way, when they should have helped the movie soar.
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